Q1 목적 다음 글의 목적으로 가장 적절한 것은?

• ① to suggest that art is not copying
• ② to explain why Greek art was realistic
• ③ to encourage artists to paint like Pollock
• ④ to describe the history of ancient pottery
• ⑤ to promote the sale of modern paintings

정답 ①

해설 글의 마지막에서 Jackson Pollock의 사례를 통해 'the ancient Greek view of art as mimesis - simple copying - does not sufficiently define art'라고 결론짓고 있으므로 'to suggest that art is not copying'이 정답이다.

Q5 제목 다음 글의 제목으로 가장 적절한 것은?

• ① Why Ancient Greek Art Focused On Realism
• ② The Basic Differences Between Ancient Art Styles
• ③ Beyond Mimesis: Redefining The Artist's True Goal
• ④ How Modern Artists Create Their Abstract Works
• ⑤ The Hidden Meaning Of Ancient Greek Pottery

정답 ③

해설 'Beyond Mimesis: Redefining The Artist's True Goal'은 고대 그리스의 모방 예술관을 언급한 뒤 잭슨 폴록의 사례를 통해 예술이 단순히 현실을 복제하는 것이 아니라는 글의 핵심 내용을 포괄적으로 담고 있다.

Q7 어법2 (A), (B), (C)의 각 네모 안에서 어법에 맞는 표현으로 가장 적절한 것은?

The ancient Greeks felt that the visual artist's goal was to copy visual experience. This approach appears in the realism of ancient Greek sculpture and pottery. We must sadly note that, (A)[ due to / because ] the action of time and weather, no paintings from ancient Greek artists exist today. We can only surmise their quality based on tales such as that of Zeuxis and Parhassios, the obvious skill in ancient Greek sculpture, and in drawings that (B)[ survive / survives ] on ancient Greek pottery. This definition of art as copying reality has a problem, though. Jackson Pollock, a leader in the New York School of the 1950's, intentionally did not copy existing objects in his art. (C)[ While painting / While painted ] these works, Pollock and his fellow artists would consciously avoid making marks or passages that resembled recognizable objects. They succeeded at making artwork that did not copy anything, thus demonstrating that the ancient Greek view of art as mimesis - simple copying - does not sufficiently define art.

정답 ②

해설 (A) 뒤에 명사구(the action of time and weather)가 이어지므로 전치사구인 due to가 필요합니다. (B) 선행사가 복수명사인 drawings이므로 주어-동사 수일치에 따라 복수 동사 survive가 와야 합니다. (C) 주어(Pollock and his fellow artists)와 능동 관계이므로 현재분사 구문인 painting이 적절합니다.

Q11 순서배열 주어진 글 다음에 이어질 글의 순서로 가장 적절한 것을 고르시오.

[주어진 글]
The ancient Greeks felt that the visual artist's goal was to copy visual experience. This approach appears in the realism of ancient Greek sculpture and pottery.

(A) This definition of art as copying reality has a problem, though. Jackson Pollock, a leader in the New York School of the 1950's, intentionally did not copy existing objects in his art.

(B) We must sadly note that, due to the action of time and weather, no paintings from ancient Greek artists exist today. We can only surmise their quality based on tales such as that of Zeuxis and Parhassios, the obvious skill in ancient Greek sculpture, and in drawings that survive on ancient Greek pottery.

(C) While painting these works, Pollock and his fellow artists would consciously avoid making marks or passages that resembled recognizable objects. They succeeded at making artwork that did not copy anything, thus demonstrating that the ancient Greek view of art as mimesis - simple copying - does not sufficiently define art.

• ① (A) - (C) - (B)
• ② (B) - (A) - (C)
• ③ (B) - (C) - (A)
• ④ (C) - (A) - (B)
• ⑤ (C) - (B) - (A)

정답 ②

해설 정답 순서: (B) → (A) → (C)

Q13 요약문빈칸 다음 글을 아래와 같이 요약하고자 한다. 빈칸에 들어갈 알맞은 어휘를 주어진 철자로 시작하여 각 한 단어로 답안을 작성하시오.

Ancient Greeks traditionally defined art as the faithful (a)i____________ of visual reality, a philosophy clearly reflected in their surviving (b)s____________ and pottery. However, this perspective is challenged by modern artists like Jackson Pollock, who intentionally avoided depicting recognizable objects in their work. By creating (c)a____________ pieces that do not mirror the physical world, these artists demonstrate that the concept of (d)m____________ is insufficient to fully define the complex and evolving nature of artistic expression.

정답
(a) imitation [모방] - Ancient Greeks traditionally defined art as the faithful imitation of visual reality, a philosophy clearly reflected in their surviving sculptures and pottery.
(b) sculptures [조각품] - Ancient Greeks traditionally defined art as the faithful imitation of visual reality, a philosophy clearly reflected in their surviving sculptures and pottery.
(c) abstract [추상적인; 이론적인, 관념적인; 추상화; 개요; 추출하다; 발췌하다; 요약하다] - By creating abstract pieces that do not mirror the physical world, these artists demonstrate that the concept of mimesis is insufficient to fully define the complex and evolving nature of artistic expression.
(d) mimesis [모방; 모의; 시뮬레이션] - By creating abstract pieces that do not mirror the physical world, these artists demonstrate that the concept of mimesis is insufficient to fully define the complex and evolving nature of artistic expression.